Woof. Jim and I really, really wanted to like Glass, the sequel to the terrific Unbreakable, and the surprisingly good / sneaky amazing Split. And it should work. Bruce Willis, Samuel Jackson, and Anya Joy Taylor are good, and James McAvoy does more incredible work as the Horde. But the script is just about the laziest damn thing we’ve ever seen. Tons of plotholes, characters succeeding not because of their brilliance but others’ stupidity, and Shyamalan indulging the worst of his third act instincts torpedo any chance this movie had to kickstart a new cinematic universe, which is it’s plain ambition. It’s a genuine disappointment, ya’ll.
We have seen Spider-Man: Into the Spider-Verse, and declare it to be one of, if not the best Spider-Men movies of all time. Amazingly fun, incredibly inspiring, spectacularly stylish, and endlessly imaginative, Spider-Verse expands the franchise in entirely new directions while maintaining the magic that makes Spider-Man great; the moral obligations of an average person who is blessed with great power.
Jim and A.Ron got a one-two punch to their sense of nostalgia as Creed 2 relentlessly broke us and a theater full of Rocky diehards down. It should not be possible to build so much pathos and legend on the somewhat shaky foundations of Rocky IV, but we’ll be d*mned if they don’t. Up and coming director Steven Caple Jr. recaptures the magic of the original Creed, Michael B. Jordan is amazing as always, Sylvester Stallone continues to age like fine wine into the role he was born to play, and Tessa Thompson once again shows that playing a boxer’s wife/girlfriend doesn’t require you to be a human wet blanket. If you’re a Rocky fan, you’re going to like this film.
Another split decision on the latest first run Bald Movie, the WW2-themed action-horror film, Overlord. The serious and somber tone set against the gonzo and outrageous action quickly lost Jim. I thought the film delivered a pretty solid war film, followed by a tense and effective horror film, then rounded into a solid action romp that unfortunately started collapsing under the weight of too many action movie tropes. Still, the war scenes are more horrifying than most supernatural spookfests, the characters while basic are appealing, and the effects gruesome and effective enough to deliver the goods, especially if you can turn your brain off for the last act.
Jim and I had a helluva lot of fun seeing the Queen biopic Bohemian Rhapsody tonight, starring Rami Malek. It’s getting mixed reviews, but we’re struggling to understand why. Malek does an incredible job embodying the greatest rock band front man of all time, the soundtrack is just literally all of the greatest Queen hits, so what’s not to like? Unless the movie tells just truly egregious and hateful lies about Mr. Mercury, which we’re not in a position to verify, or the justifiable suspicion around the film’s director is souring people’s opinion on it, we can’t see much not to like.Freddie Mercury is front and center of the stage as he should be, but it does a great job of highlighting the incredible talents and creativity of Brian May, John Deacon, and Roger Taylor as well.
Welcome to Cecily and A.Ron’s second annual Cinema Spooktacular, volume two! Ghosts and witches and cults and cannibals and werewolves, oh my! On this podcast, we discuss…
Michael from Arlington, Virginia was nice enough to commission this podcast in honor of his lovely and talented wife, Susanna. Michael wanted to do something positive with his commission. He wanted to recognize and celebrate the hundreds and thousands of people; the artists, craftsmen, pencil pushers, the caterers, that collectively make our favorite movies and television shows possible. So often the below the line types toil near anonymously from project to project, but not on this podcast. Using the special feature, “Star Wars Within A Minute” as a guide, we go department by department to talk about the things small and large the contribute to your average Hollywood blockbuster. Whether you’re moved to sit through credits, study more about filmmaking, or perhaps look for a local project to get involved in, we hope you enjoy this podcast.
Welcome to Cecily and A.Ron’s second annual Cinema Spooktacular! During the month of October, we like to watch scary movies, and then talk about them on a podcast. Perhaps you’d care to join? Stay awhile… stay FOREVER! Muahahahahaha! This year we’re going to do multiple Spooktaculars in a (mostly failed) effort to get these out quicker. On this podcast, we discuss… 00:25:30 – Are We Not Cats?, 00:39:28 – The Endless, 00:53:42 – Mom and Dad, 00:57:54 – Hereditary
Special thanks to returning commissioner Sean Ray for having us devote a few hours to Oliver Stone’s 1991 political thriller, JFK. The film is a weird duck. In our opinion, the movie is a work of pure flim-flam. However, it’s also one of my favorite movies to watch, because it’s a really well done, and interesting piece of flim-flam that belies it’s crazy long run time and features Oliver Stone using every last ounce of his considerable film-making skill to confuse, beguile and bedazzle his audience. This movie is so star studded that few films are capable of approaching it on acting wattage alone. The sound track by John Williams hits all the right notes, from sweaty, cigarette-hazed and mentally crazed late night conspiracy theories to soaring patriotic hymns. Aside from it being, you know, mostly fiction, we’re also uncomfortable with the Grand Gay Conspiracy angle that’s being pushed. But it also sparks a lot of conversation about conspiracies in general, America’s uncomfortable relationship with Vietnam and the truth, and just why the hell is material related to the JFK assassination still classified, anyway?
Jim and A.Ron went to see Bad Times at the El Royale and give it mixed reviews. Writer/Director Drew Goddard throws a lot of slow, character and dialog driven set pieces at the audience, mixed up and out of order, until finishing the movie with a spasm of violence and action. Jim enjoyed the performances and the movie held his interest throughout, whereas I thought the ending didn’t do enough to justify the other two hours, and thought a lot of the characters were pretty thin for a dialog and character driven movie. But the film is stylish and slick enough that perhaps you’ll be able to forgive it’s flaws?